Dido as an opera inspiration

The Department of Music History of the Institute of Ethnology of the Czech Academy of Sciences, v.v.i., the Baroque Ensemble Hof-Musici, the Centre of Baroque Culture in Český Krumlov and the Mozart Society of the Czech Republic, under the patronage of the Italian Cultural Institute in Prague and with the financial support of the Committee for collaboration between regions and institutes of the Czech Academy of Sciences in 2017 is organising an

International musicological conference:

Dido as an opera inspiration

 16th–17th September 2017

in the Centre of Baroque Culture in Český Krumlov.

The conference is related to the first performance in modern times of the opera La Didone by Antonio Boroni in the Baroque Theatre of Český Krumlov castle (15th, 16th, 17th September 2017). The opera, which will be performed by the ensemble Hof-Musici and under the direction of Mgr. Ondřej Macek, was composed for Prague and first performed in the theatre "V Kotcích" in 1768.

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Program of the conference (pdf)

 

 Saturday 16 September

9.30 Conference opening

9.45 Reinhard Strohm (Vienna)
Ritual and Incognito in Metastasio's Didone abbandonata

10.30 Manfred Hermann Schmid (Augsburg/Tübingen)
Die musikalische Schluss-Gestaltung in Dido-Opern des 18. Jahrhunderts

break

11.30 Tomislav Volek (Prague)
„Dramma per musica" mit „lieto fine"

12.15 Andrea Chegai (Roma)
Apporti vocali e strumentali al declino di Didone

lunch break

14.45 Milada Jonášová (Prague)
La Didone von Antonio Boroni, besonders die Arie „Ah non lasciarmi, no" in Vergleich mit Vertonungen von Mozart, Guglielmi und Perez

15.30 Book presentation
Antonio Caldara nel suo tempo (Collana: L'opera italiana nei territori boemi durante il Settecento II.)
Praga-Český Krumlov 2017
 

Sunday 17 September

9.30 Andrea Sommer-Mathis (Vienna)
Didone abbandonata-Aufführungen am Kärntnertortheater in der ersten Hälfte des 18. Jahrhunderts

10.15 Wolfgang Hochstein (Hamburg)
Didone abbandonata in der Vertonung von Johann Adolf Hasse

break

11.15 Antonella D'Ovidio (Florence)
Didone abbandonata «all'uso di Jumella» (Roma, 1747)

12.00 Jürgen Maehder (Salzburg /Taipei/Lugano)
Klassizismus versus Orientalismus - Vergils Karthago auf der Opernbühne von Hector Berlioz

12.45 General discussion

 

dido jako opern inspirace

   

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